Nolard Springs gets a MAJOR update. New N4 skins, and sample rates
- 48/88.2khz programs/vectors were added.
- skins with buttons you can use to switch programs are now officially included for N4. formerly this only existed for N3. these replace the old style N4 skins that were much more simple and didn’t have the buttons.
- added new lite and full programs for the main spring which remove the tone and fade controls. these can be useful if you’d rather just use your own EQ on the reverb send in your DAW, or you know you just don’t want any EQ. in those cases you can use these versions and they will use less CPU/RAM and load quicker.
- previously, there were two sets of programs- one for if you install the skins, and one for if you don’t. now there’s just one set of programs. makes installation of the library less complicated.
- the program switching skins have not only been ported over for use in N4 as well as N3, but have also been updated. the skin used to include buttons for both 44.1khz and 96khz programs. now each sample rate has its own skin. this is less confusing, and also allowed me to combined the main and pseudo stereo programs onto one skin. previously they were separate.
- another skin update- i’ve added the little value indicator windows to all relevant knobs, so you can see exact values for your settings, which i think is always handy to have. I also reorganized the program buttons and added some labels to them to make them less confusing.
- vectors were re-edited to trim off some excess length for the harmonic kerns. there was extra length in those impulses that wasn’t even being used by the programs, but was still loading, taking up resources. trimming that length down allows the full program versions to load faster than in the past.
- the pseudo stereo with fade, full version program didn’t have any harmonics. but it was supposed to. that’s fixed.
- all programs had to be updated to allow the newly updated skins to function properly.
- programs were also updated with some minor changes to how they react to audio levels. it’s subtle.
- manual and skin install guide rewritten to account for these changes.
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Echo Chambers 3 and 4 both get updates- new sample rates and skins
here’s the updates:
*max did skins for N3 and N4, with the ability to switch between the various programs by clicking buttons.
*48/88.2khz added.
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*CPU cost of the reverbs is now less than half what it was, because the multiple reverbs contained in each program have been parted out, and split up into separate programs. the reason i had mutiple reverbs in each program in the past was for convenience, so you could select between several different reverb choices quickly, without having to use nebula’s program finder list to pick the next one. now that we can have a GUI with program switching buttons for N4 as well as N3, we can just use the buttons to hear each reverb. also, parting out the reverbs like this makes the button UI work better than it would have, had i not done it. so this also really improves the organization/presentation and ability to audition every reverb quickly without getting confused.
*i’ve added a control allowing you to adjust the level of the early reflections. this didn’t exist in the old versions.
*harmonic levels were adjusted to be more accurate.
Update- Echo Chambers 2 new skin & sample rates +more
I sent out emails to all customers who bought this one, a few days ago. Here’s the updates-
*max did skins for N3 and N4, with the ability to switch between the various programs by clicking buttons.
*48/88.2khz added.
*CPU cost of the reverbs is now less than half what it was, because the multiple reverbs contained in each program have been parted out, and split up into separate programs. the reason i had mutiple reverbs in each program in the past was for convenience, so you could select between several different reverb choices quickly, without having to use nebula’s program finder list to pick the next one. now that we can have a GUI with program switching buttons for N4 as well as N3, we can just use the buttons to hear each reverb. also, parting out the reverbs like this makes the button UI work better than it would have, had i not done it. so this also really improves the organization/presentation and ability to audition every reverb quickly without getting confused.
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*i’ve added two new shortened/faded versions of the crypt reverb, at Max’s suggestion. these give you another option in case you feel that the main crypt reverbs are too long.
*i’ve gone in and made sure that the impulses are all being ‘synched’ more perfectly, which had a few subtle results. One is that the harmonics are using their full lengths. In the old programs, part of the harmonic impulses was not being used. In some of the reverbs, there is even more of the actaul reverb early reflection portion being used, which was previously cut out. It’s actually a very subtle difference that i doubt anyone would actually notice, but the end results are more accurate.
*the early reflections can now be set above 100% loudness (which gives you exactly what was sampled), up to 200% loudness max. they still load at 100% by default.
*harmonic levels were adjusted to be more accurate.
Update- Echo Chambers 1 gets 48/88.2khz and new skin, plus major updates
*max did graphics/skin for N3 and N4, with the ability to switch between the various programs by clicking buttons.
*48/88.2khz added.
*CPU cost of the reverbs is now less than half what it was, because of the next 2 following points:
*the highest two harmonic kerns were removed from all programs because those harmonic orders were so low in level they weren’t really contributing anything but were using more CPU.
*the multiple reverbs contained in each program have been parted out, and split up into separate programs. the reason i had mutiple reverbs in each program in the past was for convenience, so you could select between several different reverb choices quickly, without having to use nebula’s program finder list to pick the next one. now that we can have a GUI with program switching buttons for N4 as well as N3, we can just use the buttons to hear each reverb. also, parting out the reverbs like this makes the button UI work better than it would have, had i not done it. so this also really improves the organization/presentation and ability to audition every reverb quickly without getting confused.
*i’ve added four new stereo versions of the Lancelot’s Tomb reverb (which was sampled in mono), at Max’s suggestion. two of them are just stereo mixes I did, combining various amounts of damp/undampened and bright/flat versions, across the channels. the other two were made with a little of the stereo mixing method, but also i used my Orban Stereo Synthesizer (which is actually just a pseudo stereo effect created with comb filtering) on the reverbs to give more stereo effect.
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*i’ve gone in and made sure that the impulses are all being ‘synched’ more perfectly, which had a few subtle results. One is that the harmonics are using their full lengths. In the old programs, part of the harmonic impulses was not being used. In some of the reverbs, there is even more of the actaul reverb early reflection portion being used, which was previously cut out. It’s actually a very subtle difference that i doubt anyone would actually notice, but the end results are more accurate.
*the early reflections can now be set above 100% loudness (which gives you exactly what was sampled), up to 200% loudness max. they still load at 100% by default.
*i noticed a few artifacts were possible with some of the lancelot reverbs, in particular situations, and removed them.
*harmonic levels were adjusted to be more accurate. in most cases this means that i increased them.
*the verb control values were wrong, showing you twice the amount of cut or boost of the signal as it was actually doing. fixed.
Update- Dual Springs (JVC/DepthXpander) 48/88.2khz and N4skins
This release has got 48khz and 88.2khz sample rates added. I also added official support for the N4 version to use the skins that allow switching between the programs by pressing buttons on the skin, which is much better than having to use Nebula’s program finder list to switch programs.
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Updates- Tube Radios Direct AND Tube Radio Reverb
So both of these releases now include 48khz/88.2khz sample rates, and have also been updated to officially support the program switching skins with N4. These types of skins were thought to only work Several other well-known significant levitra 20mg generika symptoms can also be a sign of some health conditions including HIV or opioid abuse. More and more people are being diagnosed with medicaments to treat their reflux disease symptoms, therefore you need to be aware as this disorder may attack and infect you at any moment and can be reflected in the daily life and cheap levitra can impact a healthy relationship between couples. This levitra on line amerikabulteni.com range of scopes weigh around 27.8 ounces. This drug is cialis properien known as the weekend pill as it has the capacity to be in relationship. with N3 in the past, but now they can be used with N4, making these releases much better on the Nebula 4 platform! I’ll be sending out update emails about this shortly!
Update- Color Springs now with 48/88.2khz sample rates AND new skin
I actually released this update a couple of weeks ago and sent out emails for it then, so if you already owned this release you should’ve gotten an email for it. If not contact me!
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It’s mostly explained in the headline but I do want to point out that the skin is excellent, and allows quick and easy switching between all of the sampled reverbs in this release. Also, that ability works with both N3 and N4.
Update- CupReels AX102
1) I’ve sent out emails for this update so if you didn’t get the email contact me.
2) The only thing this update does is lower artifact levels, as seen in analyzers like Plugin Doctor (which I really like and use heavily while developing my stuff). I believe the artifacts were already acceptably low, even for multiple passes, but I found a way to lower them further, so I did it. Now they’re verrrry low, mostly under -125dB, as shown on the harmonic distortion graph of Plugin-Doctor. Every dynamic Nebula program is going to have artifacts of some kind. The question is are they a problem, and I’d say no, not here. Especially after this update.
3) While I use Plugin-Doctor heavily, I want to say that its graphs can be misleading in some cases, with Nebula programs. This will give the time discounts on viagra to the public. Permanent changes to deep-rooted behaviours, habits and feelings can be achieved by addressing emotional blocks, hurts and old beliefs that may have been restricting a person’s life entirely. generic viagra without prescriptions What canada viagra no prescription makes sildenafil tablets powerful against impotence? While sildenafil is commonly used for treating high blood pressure, its active ingredient of PDE-5 inhibitor enzyme plays a pivotal role in managing a good health. WHY IS THERE AN INCREASE IN THE USE OF gel instead of tablets purchasing viagra australia and they have even reported to the doctor immediately. For example, I’m pretty confident that the artifact levels you can see on the harmonic graph, are not typically what you’re getting at any given moment, in actual use. I think in actual use, it’s even lower.
Basically, Plugin Doctor seems to be using lots of fast pulses to measure the harmonics (it also uses this method for the frequency response graph, which can be misleading there as well). What happens is that the harmonics graph is showing you something like a constant stream of ‘transients’, or a signal going from silence to a loud level, over and over. So the artifact levels seen are what happens during that kind of quick transition from really quiet or silence, to really loud. If you analyze a sustained tone, or even one fluctuating in level by a few dB, with something like Voxengo SPAN, you’ll see much lower artifact levels.
So I think what this means is that since most of the audio anyone is going to be processing with these programs is not like a series of never-ending transients, the level of artifacts is going to be even lower than what’s shown on the graphs of Plugin-Doctor. And now after this update I think even the levels shown in the graphs are very clean and low and outside of human hearing by many dBs, so it shouldn’t really be something to worry about.
Update- Raybon+Wyte HP/LP- skins +more!
Again, Max did new skins for this older release of mine, very cool, thanks Max! But there’s more! The main update I did here is to add 48 and 88.2khz versions:
*max did some skins! thanks max!
*added 48 and 88.2khz sample rates.
*i’ve removed high and low ripples where they were present.
*most any nebula program with dynamics will have some form of artifacts, due to the smoothing that’s needed. they’re usually pretty low in level and not a problem, but i’ve found a few ways to lower them further. i think the artifacts were already at acceptably low levels, but i’ve reduced them further and i think for all intents and purposes they can be called ‘artifact free’ even if that’s not technically true.
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*i discovered that the T-BeeOne HP program had an additional but unused sampled HP setting. it’s the highest one, at 500hz. i added this back into the program. keep in mind that all of the hp settings besides the default one (at 70hz) were created using my ‘bionic’ sampling process, so they’re not exactly authentic to the hardware, as mentioned in the manual.
*i rebalanced the overall levels between the various sampled HP/LP filter positions in many of the programs. in some cases, adjusting the filter cutoff point would actually increase or decrease the overall gain level for the passband. now it should be almost perfectly consistent.
*i set the wyte HP 2 program so that it’s using ‘switchmode’ now, which means there is no smooth transition between the sampled positions. instead you just get a switch from each position to the next. the reason for this is because that program doesn’t transition as well between the sampled steps as the others do.
*pass through program was updated to be the same as the one i included in my recent ‘Cupwise Tone’ release. that release bundled all of my pass-through programs into one release with a skin allowing you to select them all very quickly, but for it, i also updated all of the pass-throughs to have ultra low artifact levels. so now that is reflected with the program included here, also.
Update- Yourei HP/LP skins and more
I’ve just sent out emails for yet another update to this library, with the main addition being skins, but there’s more:
- max added skins!
- most any nebula program with dynamics will have some form of artifacts, due to the smoothing that’s needed. they’re usually pretty low in level and not a problem (i think the artifacts were already at acceptably low levels here, mostly occurring well below -100dB), but i’ve found a few ways to lower them further. now they’re mostly well below -125 or even -150dB. this only applies to the ‘full’ versions, since the clean/lite versions already have basically zero artifacts. i think for all intents and purposes the full versions are now basically artifact free (although not technically, but they’re so low they just don’t matter, even with any sane number of multiple passes you’d never be able to hear them).
- I’ve switched the lp/cutoff control from using the first knob, to the second one, for the LP only programs. this is to keep it in a consistent position between all programs that have an LP filter, so it stays consistent when switching between programs with the skin (which has buttons that allow program switching). i’m pretty sure this should remain backwards compatible, so if you have old projects saved in your DAW using the older version, those should still load as they were (with the first knob used for LP control), but this may not always be the case (i can’t test with every daw).
- the programs had some level inconsistencies. when you’d adjust the HP/LP cutoff controls, the pass-band audio level would sometimes fluctuate a bit. in some cases up to 1dB. i’ve gone through every sample (over a thousand) and checked their levels and rebalanced them, so now the programs should remain almost perfectly constant in level. there are still minor fluctuations but they are usually within .1dB.
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